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And the Lady
New -- 21 April 2006 Humanki -- Episode Four A small plane is flying over the Nazca Plateau. The clear air turbulence temporarily diminished in the early morning flight. Then, after traversing the first waves of mountains, it begins its approach to Cuzco, Peru. It’s mid morning as the airplane banks and twists several times at a low altitude, as if in an aerial combat dogfight. DAWN and ALEX are inside and literally hanging on, watching the nearby mountains, grassy and rocky slopes everywhere and generally on a level plane with themselves -- or higher. The pilot abruptly straightens out the aircraft, until dead ahead a rocky mound looms up directly in their flight path. At just the right moment, the pilot banks hard to one side, and then almost immediatly, banks the other way. He then levels the airplane just as the runway comes into view. Within seconds, the wheels of the airplane touch down, and the plane begins to slow as it proceeds down the runway. The pilot is taxiing to the terminal before ALEX and DAWN take their first breath. DAWN
PILOT
ALEX and DAWN look at each other and both laugh self-consciously. Later, they arrive at their Cuzco hotel, a one story, white-stucco with deep red bricks and tiles everywhere to highlight the windows, doors and trim. As ALEX and DAWN get out of a taxi, she is holding two plastic bags with the logo of Mexico City International Airport. For a moment she stops to look over the hotel. ALEX joins her, carrying a similar bag. Going inside, they find a tastefully decorated lobby with dark, heavy wood beams, flowers in vases and in a small courtyard, archaeological-sophisticated paintings and statues. DAWN glances around, takes a deep breath and smiles. ALEX begins checking into the hotel and handing over their passports to the desk clerk, who takes them and puts them aside. Upon reaching their room by themselves, they enter and drop their plastic bags on the bed. DAWN sheds her backpack purse. ALEX
DAWN
ALEX
DAWN
ALEX
DAWN (frowning)
ALEX
Smiling confidently, ALEX leaves the room. DAWN shrugs and dumps the contents of her two plastic bags onto the bed -- two dresses and several items of accessories. She holds one of the dresses up against her body, smiles in approval, and then lays it out on the bed. She dumps the four packages of gold onto the bed (3 unopened and 1 opened), and taking one package, slips it into the box springs of the bed. Then she slips a second package under the cast iron sink in the bathroom, where it fits snugly. The third unopened package rests on the bed, while DAWN begins to secret several coins from the already opend fourth package into various parts of her clothing. The remainder of the opened package, she inserts, one at a time, into a small vase. As she does so, she keeps glancing around, still undecided as to where to stash the remaining unopened package. Later that night in the darkened room, DAWN comes out of the bathroom in her nightgown. ALEX is already in bed, turned toward the outside of the bed and not wearing a shirt. As DAWN slips under the covers as gently as possible, ALEX does not stir. She lays on her back for a moment, then turns her back to him. For several minutes the two simply lay there, their eyes wide open and staring in opposite directions.
The following morning, DAWN and ALEX are asleep, facing each other and partially entwined in each other’s arms. DAWN turns slightly in her sleep and then abruptly realizes she is in contact with ALEX, one of his arms now laying across her lower waist. Her eyes spring open and glancing furtively at the arm, she starts getting up. Her movement wakes ALEX, whose eyes open wide. He turns away as well. DAWN quickly and silently makes her way to the bathroom. As the door shuts, ALEX glances over his shoulder to see if the coast is clear, and then hurriedly gets up and pulls on his pants over the shorts he had been wearing. ALEX
The scene shifts to the Cuzco train depot, where DAWN and ALEX are boarding the train. It is early morning with the normal hustle and bustle about the train station. Then, as the train weaves its way through the canyons and alongside the Urubamba River on its way to Machu Picchu, the two travelers are acting like tourists, but saying very little. Eventually, DAWN begins to grin, glancing at ALEX. ALEX glances in return, and then begins to grin himself. Then he laughs, joined quickly by DAWN. The scene shifts to KURT’s office in Denver, where ANNA enters to see KURT sitting at his desk and glancing over recent dispatches. ANNA takes an easy chair facing the desk but says nothing. For several moments, KURT does not even glance at her. KURT
(turning to a stoic ANNA)
ANNA
KURT
ANNA
KURT
ANNA
KURT
ANNA
KURT
ANNA
KURT
At the base of the mountain upon which the ruins of Machu Picchu rest, DAWN and ALEX stroll casually from the train and board a nearby bus. After the bus fills with tourists, it starts up the mountain, traversing up the switchbacks toward the ruins. Finally, reaching the main entrance to the ruins, DAWN and ALEX walk past the local hotel where waiters are waiting expectantly on the veranda. ALEX hurriedly walks up the rock path, even as DAWN begins to loiter behind. As he turns to see what's keeping her, he notices her smiling broadly and looking all around. ALEX
DAWN
DAWN immediately starts walking (almost running) into the ruins, while the other tourists are gathering about their respective guides for the first of many explanations. DAWN forges ahead, walking hurriedly through the ruins, a benefic smile on her face. She crosses the central open area, and goes directly to the Intihuatana (the Sun Observatory). DAWN
ALEX
DAWN
ALEX watches her for a moment. Then he begins to look around him. ALEX
DAWN
Rising, she immediately turns and leads ALEX into the middle of the ruins. As DAWN and ALEX approach the temple, a group of tourists is already arriving there. Both DAWN and ALEX frown when they find no locals anywhere in the vicinity. DAWN
ALEX
ALEX leaves and DAWN begins to wander about, her hands gently following the contour lines of various walls and doorways. For some time, she is in her element. Later, DAWN is sitting on a small portion of a stone wall, her feet hanging. She is still partially lost in thought when ALEX returns, looking frustrated. ALEX
DAWN
DAWN starts walking away, while ALEX stands there, open-mouthed. DAWN leads as they cross the tiny ridge between the city and the steep, rocky peak. A path leads up the peak, switchbacking back and forth. DAWN keep her hands tightly on the single strand of wire which runs alongside the path for the tourists. She is breathing heavily and beginning to perspire. ALEX is breathing hard as well. Upon reaching the top of Huayna Picchu, DAWN crouches close to the ground as she finds a place to sit and hang onto the grass turfs. ALEX, somewhat out of breath, goes over to her. Sitting down beside her, he very gently puts his arm around her shoulders. In response, she grasps his leg just above his knee. ALEX reacts noticeably to her grip on his leg and tries to gently ease her hand as her fingers remain clinched. DAWN
DAWN shuddered and continued to perspire, her color momentarily fading. DAWN
For several moments, they sat there. Then she smiled and released her grip on his knee. ALEX unobtrusively began to massage his knee, wincing slightly. DAWN
(noticing him massaging his leg)
ALEX
DAWN smiled at the Shakespearean reply, as the two simply sat there, gathering in the view of the peaks around Huaynapicchu and the city below where the other tourists were beginning to stream back toward the buses as the afternoon waned. ALEX looked around. ALEX
ALEX glanced down to where the buses had pulled out and begun their descent down the mountain. Both of them watched the process for a moment and then ALEX stood up, followed by DAWN. IRIS, a large indian woman who had been sitting behind them and near another ledge of the ruins at the top of Huaynapicchu, stood up as well and approached DAWN and ALEX. IRIS
Before either could reply, IRIS turned and stared back down the path to the ruins. She glanced back once, gesturing that they were to follow. ALEX and DAWN smiled bleakly and followed. Following IRIS, ALEX and DAWN arrived in the small area just outside the Temple with Three Windows. Several Indian women were clustered about. Just behind them were four Indian men, all looking vaguely like security forces. The area was quiet and passive, as if the people were meditating with their eyes open. With the late afternoon sun casting long shadows on the walls, IRIS bid ALEX and DAWN to sit on the grass, and then IRIS steped quietly into the Temple itself. After a few minutes, she steed back out and motioned for ALEX and DAWN to enter the temple. DAWN and ALEX both rioe, and followed IRIS into the interior. Inside, DAWN and ALEX saw NINKI, a very old woman with flowing white hair and dark, heavily tanned skin, sitting with her back against the stone walls between two of the windows. She had a family resemblance to both ANNA and KURT. NINKI is sitting on a deep purple covering, and had obviously been a very beautiful woman in her prime (about the time of Moses). Following IRIS' lead, DAWN and ALEX moved closer until they were standing some six feet away from NINKI. IRIS then quietly moved to a place between and just off the line of sight between NINKI and that of ALEX and DAWN. There IRIS gently dropped down on her knees and sat on her heels. DAWN did the same, followed by ALEX. DAWN watched NINKI, who with her eyes closed, looked serene, devout, and very spiritual. Then NINKI opened her eyes and smiled in a comforting, welcoming manner. NINKI
ALEX
NINKI
DAWN
NINKI
(suddenly laughing)
ALEX
NINKI (turning to face ALEX directly)
ALEX
NINKI abruptly rolled back, laughing, her arms swinging around to hug herself. DAWN smiled as well, while IRIS laughed to herself. Then NINKI, symbolically wiped a laughing tear from her eye. NINKI
ALEX
NINKI
ALEX
NINKI
DAWN
NINKI
ALEX and DAWN rose without a word, as IRIS escorted the two of them out of the sacred space. Almost immediately, IRIS broke into a fast walk, scurrying through the ruins. The threesome began climbing the high stone steps leading to what is known as The Cemetary. Reaching the upper edges of the ruins, DAWN turned and looked down the steps. From her vantage, she could see the classic view of Machu Picchu, with the saddle ridge and its steep terraces covered in greenery, the Sun Observatory and the open grassy area just beyond it, the main ruins -- a seeming labyrinth of head-high walls and terraces -- the main entrance to the city on the right, and directly ahead the mountain peak of Huaynapicchu. Beyond were the ranges of green-covered mountains and a sea of clouds just behind the numerous steep peaks. Below the city on three sides, was the Urubamba River, taking its horseshoe route around the extremely steep-sloped mountains. DAWN took in the view, while IRIS handed ALEX a small, native bag -- one designed to be slung over the shoulders and attached to one's belt. ALEX began attaching it. IRIS
DAWN took a small vial from IRIS, and gave the woman an emotional hug. DAWN then turned and began to run lightly up the path. ALEX took the cue and added his own "thank you", his arm momentarily grasping IRIS' shoulder. Then he ran after DAWN. With DAWN leading, the two lightly ran up the long slope in the direction of the mountain. Both were breathing hard when they finally reached a ridge at a point where the trail turned slightly and appeared to wind around one edge of the peak. From this vantage point, they stopped to catch their breath and look back. Four khaki colored figures and at least one dog had just reache the Cemetary. ALEX squinted in order to see the distant figures. Then tured back to DAWN. ALEX
DAWN frowned, turned and began running down a slight decline. ALEX hurriedly followed. Further along the ancient Inca trail, DAWN and ALEX rounded a small bend, just as one side of the adjacent ground suddenly fell into oblivion, while the other side became a sheer cliff. Between the rock and the open space was the narrow footpath used by the ancient Incas. Coming upon it, DAWN suddenly stopped. DAWN
For a few seconds they looked at the sight. Then DAWN shruged her shoulders, and began walking along the narrow path (about the width of an old residential sidewalk), slowly increasing her pace to a fast and sustainable one, while at the same time keeping her balance, her hand running along the cliff. ALEX followed, mimicing her pace and movements. After a short distance, they came to a small bridge. The bridge was a combination of four long tree trunks, the exposed edges whitened from the sun and stripped of bark -- along with cross planks held in place with hand-packed mud and dirt. It appeared fairly stable except for one or two foot-sized holes in the surface and a great deal of sky just below. DAWN started across, gingerly, breathing in slow rhythmic strokes. Once back on terra firma, she took a few steps more, stopped, turned and braced herself against the rock face. She smiled, as ALEX made his own crossing. Once he was across, she handed him the vial IRIS had given them. Taking it, he turned slowly, and knelt by the end of the bridge. There he poured the contents on the near edge. Using his finger, he then tooka small sample and smelled it. ALEX
Smiling mischievously, ALEX drew lines in the dirt, and brushed them slightly to obscure them. DAWN
ALEX
DAWN smiled at the ruse, and turnd slowly to begin walking again. ALEX followed, initially making his movements slow as well, and then slowly picking up the pace. Further along, DAWN and ALEX began encounting portions of the trail which were wider, followed inevitably by narrower sections as the trail slipped back against some rock face of varying degrees of scariness. Then on a particularly narrow trail section, they stopped as they heard the sound of a dog wailing at the moon. Both smiled, but then returned to walking at a good pace. They reached a portion of the trail which began to climb steeply taking a slope at an angle. It was less threatening but much more tiring. The sun reached the horizon as they came to a wooded area. ALEX
DAWN
After walking some twenty feet into the cover of the woods, CARLOS AND SIL, two men with the classic look of Spanish style road bandits suddenly appeared in their path, their rifles leveled at DAWN and ALEX. Three other bandits appeared on cue, one on each side of the trail, and one from the trail just behind. DAWN and ALEX, surprised, immediately raised their hands. CARLOS
SIL
(sarcastically to DAWN and ALEX)
ALEX
As the other men glance nervously behind them, SIL is more cynical. SIL
DAWN
SIL (laughing cynically)
CARLOS took charge, and began gesturing with a hand motion to the others. The other three bandits moved off rapidly down the path to positions overlooking the rock ledge portion of the trail, where they settled down to wait. CARLOS and SIL stayed with DAWN and ALEX. CARLOS (to DAWN and ALEX)
ALEX and DAWN sat down, glancing around and at each other, both breathing in short quick breaths. SIL began tying their hands starting with ALEX first. DAWN (very quietly to ALEX)
ALEX turned to her wide-eyed, but then winced as SIL tightened the rope on his hands. SIL then turned to DAWN for the same purpose. Four Federales could be seen moving along the trail -- the dog following the men in a classic hang dog posture. Suddenly, the sound of gun fire erupted. Three of the four Federales were hit immediately and fell off the trail. The fourth went down before he could fire a shot. Then there was silence. Two of the bandits moved down the trail, smiling. They checked out the fourth man, took some papers from his shirt pocket, and then shoved him off the trail. The dog, now cowed, followed the bandits, who were now all smiles as they returned from the trail. One gave CARLOS the papers taken from the Federale. CARLOS took a small penlight out and studied the papers. Then he smiled. CARLOS
ALEX
SIL
DAWN
CARLOS (exchanging a look with SIL)
The group then started down the trail, with CARLOS in the lead, followed by DAWN, ALEX, SIL and the others. There was no sound from anyone.
The scene shifts to the rebel camp, where ALEX and DAWN are led over to a small campfire. CARLOS had ALEX sit on the bare ground, while SIL gallantly provided a small camp stool for DAWN. CARLOS then went off to report to EL CID. DAWN and ALEX glanced around, but said nothing. They then became very attentive as EL CID, a heavy-set man dressed in combat fatigues, came over to the campfire. With the wave of a hand, he silently ordered SIL to back off. SIL did so, moving away, but keeping his eyes on the proceedings. EL CID, DAWN and ALEX were left alone. Then EL CID sat in a captain’s canvas studio chair, facing DAWN and ALEX. EL CID studied them for a moment, chewing something. Then he stopped chewing, looked intently at the two, and then looked at the papers which the bandits had taken off the dead Federale. Abruptly, he smiled, his voice and manner quickly betraying a mid-western upbringing and accent. EL CID
ALEX
EL CID
DAWN
EL CID
(leaning forward and lowering his voice)
DAWN
EL CID
DAWN
EL CID
(letting the last word hang in the air)
ALEX
EL CID
(studying them more closely)
ALEX
EL CID
DAWN
EL CID
ALEX
EL CID
ALEX winced and leaned back. Diverting his eyes from EL CID, he then glanced at DAWN. She had been watching him, and when he turned to her, she smiled confidently and turned to EL CID. DAWN
EL CID
EL CID raised an arm and gestured. SIL came over immediately. EL CID
EL CID watched DAWN’s every move, as SIL untied her hands, and she began to rub her wrists. EL CID
DAWN
EL CID
DAWN leaned forward. EL CID leaned toward her as well. DAWN
As EL CID looked skeptical, DAWN turned away, just enough to hide her precise movements. She kept her eyes on EL CID, as she reached inside her bra and pulled out three gold coins. She dropped them, one at a time, into EL CID's outstretched hand. His eyes lit up, and he smiled. DAWN
EL CID (looking at her appraisingly)
DAWN
EL CID
DAWN
EL CID continued to study DAWN. Then he stood up, still watching her. He glanced away for a moment, and then back at DAWN. His tone serious, he began to issue orders in Spanish to his men. Then he turned back to DAWN and ALEX. EL CID
DAWN returned EL CID’s stare, and after a brief hesitation, she stood up and extended her hand. DAWN
EL CID glanced at her hand, and then took it and shook it in full view of the camp.
The scene shifts to a small alley outside the Cuzco hotel, during the first hours of darkness. DAWN, ALEX and SIL are standing in the alley, when another bandit reports to SIL. The leader of the small band smiles, as if expecting the news. He turns to DAWN and ALEX. SIL
ALEX and DAWN walk into the hotel, with two of the better dressed bandits walking ahead and behind them. ALEX casually asks for the key from the desk clerk, while DAWN glances around, pretending to be casual, a light smile on her face. As the four arrive at DAWN and ALEX’s door, the bandits pull out their weapons and take up station on either side of the door. DAWN stands against the wall behind one of them, while ALEX fumbles noisily with the key, taking a long time to unlock the door. From the other side of the door, the sound of glass shattering is heard. Then, with the door unlocked, ALEX pushes the door open and steps back. Both bandits join him as he looks inside the room. The room is undisturbed except for a messed bed, and a bleeding arm just beyond the edge of the partially opened door. All four step in, the bandits leading, their weapons at the ready. There is a dead body attached to the bleeding arm, along with a second body, equally dead -- both lying in the area behind the opened door. Both bandits smile, as they look toward the window, and the shattered glass panes. SIL's face appears in the window, as he reaches in to unlock the window and step inside the room. DAWN turns and makes a point of closing the door behind her. Then she looks down at the two dead bodies, two men in white baggy suits now covered with blood. DAWN
SIL
As SIL laughs cynically, DAWN takes the vase with the hidden individual gold coins, and begins to drop the coins out one by one. SIL quickly takes the vase from her hand, drops it on the bed and smashs the vase with the butt of his rifle. As one of the bandits starts counting the coins and putting them in the bag, SIL smiles confidently and stares intently at DAWN. DAWN
SIL studies DAWN for a moment, a slight smile on his lips. Then his expression becomes serious. SIL
DAWN watches SIL for a moment, studying him in return. Then she winces slightly. DAWN
As ALEX reaches down to find and retrieve the package and begins opening it, DAWN goes to the sink and pulls out the third package. This she drops on the bed, where one of the bandits opens it, spilling out the coins. SIL smiles, while the bandit begins gathering up the coins and putting them in a small bag. DAWN crosses her ams and confidently awaits the verdict. SIL takes a small handful of the coins and hands them to DAWN. SIL
DAWN
The other bandit, who had been rifling through one of the dead men’s pockets, hands SIL two American passports. SIL takes them and looks at them. DAWN turns back to address SIL. DAWN
SIL
DAWN
SIL
(handing the passports to DAWN)
DAWN takes the two passports, silently -- still shaking her head. SIL smiles, turns and follows his men out the window and into the night.
Moments later, DAWN and ALEX are alone. DAWN has just come out of the bathroom, having changed clothes. ALEX has changed as well, and is stuffing his small backpack with a few items, as DAWN goes over to the door, and puts the "Do Not Disturb" sign on the outside door handle. She closes and locks the door. Then DAWN goes over to a small potted tree, pulls the tree out by the trunk, and reaches down for the fourth package of gold coins. Brushing the dirt off the package, she drops it into her backpack. Then she turns to ALEX, who is looking at her with his mouth open ALEX
DAWN
DAWN slips through the window. Alex, shaking his head, follows. DAWN and ALEX walk down a small alley to the street running in front of the hotel. There, they blend in with the normal pedestrian traffic of tourists and locals out for a stroll in the night air. DAWN
ALEX
DAWN
ALEX
DAWN
Both turn as a car pulls up and unloads a single male passenger. ALEX approaches the driver and talks for a moment. Gesturing to DAWN, he opens the rear door, while the driver gets back into the driver's seat. DAWN smiles and joins ALEX in the back seat.. ALEX
DAWN
ALEX
DAWN
ALEX
DAWN
ALEX
DAWN
ALEX
FADE OUT Episode Three -- Popo... Forward to: Episode Five--
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The Library of ialexandriah2003© Copyright Dan Sewell Ward, All Rights Reserved
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